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  5. Narrative Treatment AND Documentary Treatment
  6. Narrative Treatment

22SP_MFS220A-CE-Film Production

Narrative Treatment

Completion requirements
Opened: Monday, 14 August 2006, 1:30 PM
Due: Tuesday, 15 February 2022, 12:30 PM

Include the following:

Genre

Inciting Incident

Protagonist

Antagonist

Act 1

Act 2

Act 3

-----------------------------------------------------------------------------------------------------------------------

Act 1 25% of story Audience must know the genre within the first few pages. Set up - something starts to happen. Usually introduce protagonist first. Introduce other characters. Create the world of the story (as well as your take on it) -what are the rules? -what is emphasized? -doesn't have to be realistic. Has to be believable Introduce antagonist. Set up a conflict at the end of the first act. Set up the stakes. Why is it worth it to go after the goal? What is the decision that must be made in order for the protagonist to go after his/her goal? The Inciting Incident - takes the character in another direction. Know what your character wants. “Somewhere in the first five minutes of a well-structured screenplay, someone (usually not the main character) will pose a question, or make a statement (usually to the main character) that is the theme of the movie. “Be careful what you wish for,” this person will say, or “Pride goeth before a fall” or “Family is more important than money.” It won’t be this obvious, it will be conversational, an off-hand remark that the main character doesn’t quite get at the moment – but will have far-reaching and meaningful impact later. This is the movie’s thematic premise.” Act 2 Two thirds of the story. Confrontation. Throw obstacles in the face of your character. Protagonist must make choices to pursue goal -these choices must escalate At the end of the first act, the protagonist knows that they must confront antagonist. Act 3 Fulfill the promise of the set up while still maintaining the concept of surprise. Inevitable but surprising. Answers the central question. Climax - final beat. Audience must believe that the character has changed. Denumont - aftermath. ---------------------------------------------------------------------------------- Additional notes: Just when you think you know where your character is going, think of the opposite thing that could happen. TURN IT You must be able to tell your story in 3 sentences. Spoken out loud. Do this before you can write. How to reveal character: Think about what’s going on emotionally


◄ Shot Scene Link (Scene Breakdown)
Documentary Treatment ►

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