Week One

Week One

by Deleted user -
Number of replies: 3

This entire introduction was very interesting. The part that stood out to me the most was Sītā's abduction and subsequent shame. I'm always interested in how different cultures view purity and sexuality especially in women and I'm looking forward to reading the rest of the Rāmāyana to see how Sītā's purity plays into the story. The concept of Sītā being punished for the actions of a man that she herself had no control over is, unfortunately, a narrative that plays out too often, but the reunification added an unexpected twist that I'm intrigued to read more about (p. 17). 

I'm very fond of the use of repetition to further the telling of a story and I'm interested to see how this device unfolds through the course of the story (p. 9). It appears that the use of a variety of literary devices will be important to how the story is told and how it's designed to be read (p. 4). I'm looking forward to seeing how these devices move the story forward and affect how the story is being told. 

I found the nature of the epic interesting. I like the concept of the story being intended to be told orally with guidance as to how the story is told but acknowledging the power the reader holds when reading the story aloud or recounting it from memory. There is a level of responsibility you are taking on when you're given the ability to add humor or emphasis because it can completely change the meaning of the story (p. 21). Personally, I think the best thing about stories like these are the journeys they go through by being told orally time and again until it reaches you (p. 23). 


Questions:

How did banishing Sītā affect Rāma's dharma (p. 18)?

What would happen if the Rāma never heard his story? Would he eventually cease to exist (p. 20)?



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In reply to Deleted user

Re: Week One

by Deleted user -
I also enjoyed the discussion of the nature of the epic. As I was reading this section, I was thinking about all the times I have told stories, whether stories that happened to me or just old camp tales. Of course I have favorite points of the story I am telling, and I intentionally kind of build to that climactic point and emphasize the part that I so enjoy. I loved the discussion of how "each teller has the privilege, perhaps even the duty, to tell the tale in her/his own way," because this is something many of us can relate to (21). But it is really interesting how this particular epic has so many details imbedded and re-emphasized throughout the storyline; it has a means of holding the storyteller accountable and keeping her on track. I like the duality here of this tale, both the freedom to present the narrative in your own way, but the nuggets added to make sure the significant parts of the story are not skipped over.

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In reply to Deleted user

Re: Week One

by Deleted user -
Olivia,
I am intrigued by your question and observation about Sita. Something about the way you have framed your observation reminds me of the stories of Mary Magdalene and Jesus. Although the relationship between the male and female characters is notably different, I wonder if Rama's treatment of her is made to encompasses many different scenarios of ideal interaction beyond marital. Do you think their interaction would be different if they were brother and sister? I am interested to see how this translation uses vernacular to portray the core relationships apart from their native descriptions and colloquialisms.

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In reply to Deleted user

Re: Week One

by Collin Cortinas -
Olivia,

Some good stuff here. I think there are many interesting parallels to be drawn between the manner in which women and sexuality are played out in this text and the very similar ways they can be played out in other religious texts. Sītā had very little influence over what happened to her, but a trial by fire is held for her in order to prove she was not disloyal. A question to further your comments would be, why the hostility towards potential sexual misconduct when it is also clear that Sītā has no control?

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