Please share:
1) What did you find interesting/evocative/effective? What prompted a reaction in you? What worked?
2) What questions do you have for the performer?
3) Could you consistently hear and see the actors for most of the performance? Did it feel like they were really listening and responding to each other? Did they give themselves places to go and things to do? (Please note that you are not offering suggestions for fixing these if they weren't present, you're only sharing your experience as a viewer.)
2) Is there any backstory on the pregnancy part? I couldn't tell if there is tension there or it was a joke.
3) I could hear and see them the whole time and it felt like an authentic sibling argument. There wasn't a whole lot of blocking, if that is by design it definitely works but if there probably is space to stand up or move around more.
2. N/A
3. All of their tones really got me, I could hear them at all times, it was really good.
I thought they played their roles really well and really listened to each other.
What are the stakes of keeping the ms a secret and Chris getting the piano?
I could see and hear all the actors and they played off each other well.
2. n/a
3.I could consistently hear them and if I couldn't see them their voice and body language made up for it. I feel as if more movement could make it more apparent that they are in the middle of a move and somewhat raise the stakes.
2) Why did Cayleigh react so stoically to the MS news?
3) In class, we discussed great suggestions like packing clothes or moving around more so I believe they will give themselves places to go and things to do then, easily!
Cayleigh, your face is super fun. Can we get some more volume.
What is this living room? What are you all sitting on? Is there a rolley chair here?
What’s the moment before? Why is Leslie
so keyes up at the top?
Make sure you’re on top of interruptions and know what the rest of the line is when you’re interrupted in case you’re not.
Can you all give yourselves thingsto do and places
to go?
Why does Stef say “you could be”?
Why do Stef and Leslie talk about their sister like she’s not there?
The sister vibes are working really well?
Taylor, can we get a little more
volume at a baseline?
Robyn, watch for sighing as a pressure release valve. How can whatever you’re accomplishing with that happen on your lines?
You’re all doing a really nice job of being invested in
the scenewhen you aren’t speaking.
What is Leslie’s point of view on Stephanie’s cruise directing of this conversation?
What does it tell you about Leslie that she’s so incredibly prickly
at the top but then tries to brightside the really big stuff?
I liked how Cayleigh dropped the word “fuck”. If it doesn’t come naturally, then I think that was a good choice.
2) What questions do you have for the performer?
No questions
3) Could you consistently hear and see the actors for most of the performance? Did it feel like they were really listening and responding to each other? Did they give themselves places to go and things to do? (Please note that you are not offering suggestions for fixing these if they weren't present, you're only sharing your experience as a viewer.)
There were a couple moments where lines were summarized and not said exactly like they were on the script. Also several chunks of dialogue were skipped.
2.No
3. I could hear them clearly but couldn’t see them entirely. They were listening and responding to each other. The space wasn’t completely used not fully taken advantage of.
2.Why is there a stark chance between anger and then totally fine? Was is Taylor’s character not desperately trying to change the conversation?
2.I could hear them and their faces. I can tell that caylegh and taylor were reacting to the conversation. Could have given themselves to more things to go.