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Bharata

I think Bharata is the most memorable and compelling character in my opinion. When Kaikeyi ordered Dasaratha to honor one of her boons I figured that Bharata would be satisfied and feeling justified to become King. But Bharata’s refusal of the throne and going after Rama was shocking (37). In science fiction and any story that includes a throne it seems that every character that has any chance at it goes for it. “Game of Thrones” actually comes to mind because the show’s whole premise is the battle of the throne. Over eight seasons. If the Ramayana’s main issue was that it would have been one boring season with no blood or witches or dragons. Horrible. But Bharata’s allegiance and outright disobedience of his mother’s wishes were quite the plot twist and shows his Bharata’s character more than anything else. And once he goes after Rama his continued refusal once Rama tells him to take the throne further solidifies his character as pure and strong (184). Finally Bharata’s reaction alone to seeing Rama is admirable and reminds me of Laksmana’s unwavering allegiance to Rama as well. Bharata is immediately overcome with emotion upon seeing Rama and praised him, acknowledging him as rightful ruler (181). 

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Laksmana

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KN MJ Collin Cortinas SM GR
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Laksmana is fascinating to me. His unconditional loyalty and devotion to Rama is incredible. The first shocking instance of extreme loyalty is when Rama is called away to fight the raksasas, Laksmana without question, joins Rama on the quest. Following Rama into the quest gains him great rewards such as mantras and a wife, Urmila, but he consistently places  Rama ahead of himself. When Rama is exiled, Laksmana follows despite having no requirement to do so. Instead he sacrifices his duties in the city, his wife, and creature comforts associated with his position. In defense of Rama and Sita, Laksmana kills Ravana’s sons, which is no small feat. Laksmana is a compelling character due to his sacrificial nature and deep devotion to his brother, Rama. 


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Sītā

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There is a lot happening in the Rāmāyana so far, and a lot of characters of note, but I am still stuck on Sītā.  Even in just reading the introduction and watching the videos about the Rāmāyana, I found her whole arc to be fascinating, from the undying loyalty to Rāma to how she responds to Rāma at the end of the Vālmīkī narrative.   For one, I think her birth story is absolutely fascinating: how she was “not born from a human womb” but rather was found while her father was “ploughing the sacrificial fields in order to clean them up” (89).  I think this clearly sets up how Rāma and Sītā are destined to be together, given that they were both born under unusual circumstances and are likely destined for greatness given the sacrificial nature of their births.  I also find her persistence in joining Rāma in his exile compelling.  When Rāma comes to inform her what has happened with Daśaratha and Kaikeyī, he puts up a strong argument for why she should not accompany him, including dharma as one of the reasons (133).  But still she argues why she should go with him, turning his argument in his face and saying that “when a woman is given away by her father, she stays with her husband…that is her dharma” (134).  She is not willing to take no for an answer, and I understand how it is virtuous because of the loyalty in that action, but I like the spunk that she has with it.  And she has a similar spunk when she later snaps at Laksmana over not going to help Rāma, telling him “you have no love for your brother” and calling him an “ignoble creature” and “heartless wretch” (231-232).  For a lot of the story, she is simply present but not heard.  But the times when she is given clear dialogue, it does not fit into this quiet, gentler character that I would expect of the ideal woman in this narrative.   

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Sīta

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Even from the synopsis of the Rāmāyana we read in the introduction of this book, I was already enthralled by Sīta. The treatment of women in biblical texts has always fascinated me, and this is no different. I was immediately stricken by the telling of her miraculous birth, with Sīta being dug up from the ground and "would be won in marriage only after a test of strength" (89). Of course, Rāma is the one to win Sīta, stringing the bow that no one else has been able to string before. Marriages today are seen as an ultimate act of commitment and love towards someone, but before that, it was more often arranged in order to strengthen ties with other families or nations, especially when royalty was concerned. So, naturally, everyone was thrilled that Sīta and Rāma would be wed. They do not show any contempt towards each other, but instead, Sīta "loved Rāma twice as much as he loved her" (102). It starts off as such a beautiful and hopeful marriage and it breaks my heart that they will ultimately be torn from each other.
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Sita

So far, Sita seems to be the most intriguing for me. The main thing about her is this: she is a woman who is a model for women who hear or read the Ramayana. The ways in which women are portrayed and treated in texts as old as time are a sure way to have a looking-glass into the gendered relationships of that culture in a point in time. She feels that she must go with Rama in his exile, sharing his lot in life. She sees the dangers of exile in the forest, claiming to view them "like virtues" (page 136). Sita, if separated from Rama, would die. Even at the hand of Indra, when she is with Rama, "no one can harm [her]" (page 136). Sita, in the Ramayana, has a place to be, with her husband. This is the way in which women are portrayed as virtuous in the text. She also seems to want to be a renouncer, as her views of the forest ascetic women is positive. 
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Week 3 Discussion

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I automatically have found the women in the Ramayana to be very interesting characters. Kaikeyi and her early role in this story was very interesting. Kaikeyi did have Rama exiled because she wanted her son to be king but it seems like Rama was as much of a son as her biological son so I'm not sure why Manthara had such a huge impact on her. Also, the fact that she had 'two boons' given by the king which means she obviously helped him out a lot. She helps the king and has a huge impact on him. Rama is the main character but throughout the book so far it seems that women have a large role which I haven't seen in many religious stories/traditions. 
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Valmiki

I don't know if this is technically a character in the Ramayana or not but in chapter 2 Valmiki comes across two birds making love and a hunter shoots one (41).  Valmiki then curses the man saying he will never find a resting place because of his actions (41).  It is very interesting that Valmiki seems to care so much for this bird, a soulless creature.  So much so, that he curses the hunter whose job is to kill animals for food.  The man was doing his job.... 


However, Valmiki acknowledges that this was a poor emotional decision.  "As soon as he had spoken, Valmiki thought to himself, 'What are these words that i uttered in my grief for the bird?'" (41).  I read that as Valmiki immediately recognizing a foolish emotional reaction.  He is a wise man who does not ignore his conscious even when he makes rash decisions.  


While his name is not mentioned much in the readings, Valmiki is also seemingly portrayed as a prideful man with his opening statements on page 35, but we soon realize he was genuine in his curiosity to find "the perfect man."  When he is told the story of Rama, a man greater than he, he doesn't get jealous or envious.  He is pleased with the story and praises Narada for the story of Rama in all his glory (40).

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Visvamitra

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I really enjoyed this the character Visvamitra. The part that I really enjoyed with him was when he was sharing all of the different stories of the gods with Rama (pg. 72-84). These stories were so captivating, and I haven't heard many like this so I thought they were fascinating. Rama in the story can't get enough of these stories either (pg. 76) and that is how I felt reading along with these stories. Visvamitra also seems to be the person who gets Rama started on his adventures as a teenager. His father, Dasaratha, didn't want to allow Rama to be fighting in the world, but Visvamitra seems to be the one who is able to convince him otherwise (pg. 59). It also is said that Visvamitra is "dharma itself" (pg. 61), which I thought was very interesting. Visvamitra seems to be Rama's mentor in a lot of different ways so I think it is interesting that this is a characteristic that will later be shared between both of them. 
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Bharata

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I found Bharata to be an interesting character. I wonder about his relationship with dharma. He does not seem to hold anything against Rama and yet he allows his mother to exile Rama and make himself king. Rama contemplates how Bharata "is happy" but "shall soon destroy himself" for abandoning dharma (153). When telling his people that Bharata would be the king instead of him, Rama refers to him as generous, wise, virtuous (144). This is a stark contrast to what he says later while living in the forest. So, while showing no backbone to stand up to his mother Bharata also shows his mother the utmost respect.
At one point Bharata does come and offer Rama the throne after Dasaeatha dies (37). Rama tells him no and recognizes Bharata's regency. It seems that Bharata has had a realization that his acceptance of the throne was not a good thing and that there are terrible consequences (173). Additionally, Bharata is feeling guilty and this seems to be a way to rid himself of the guilt for his and his mother's actions.

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Mantharā

Mantharā isn't a main character per se, but her presence is so important to pushing the narrative forward. She is described as having no known origin which adds to her intrigue as a character (p. 111). Her investment in making sure that Bharata is the heir instead of Rāma is very interesting. She seems to have a very mysterious air about her which makes me wish she was a larger part of the overall story. I love the line, "Mantharā was bent on Rāma's destruction and making trouble," because it draws you in and adds suspense to what is about to happen (114). Ultimately, Mantharā ends up being successful in her attempts to get rid of Rāma, but that comes back to haunt her when Śatrughna tries to kill her for what she's done (170).
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Week 3 Discussion

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From the wide array of characters from The Ramayana, I consider Sita to be the most captivating. She is deemed “virtuous” by Anusuya, a wife of a sage who is “so virtuous that she is honoured by all people” (195-96). If a fellow woman of this status applauds Sita’s behaviors, then she must truly be worthy. I find it interesting, though, how she “loved Rama twice as much as he loved her” (102). Sita follows Rama, a man that loves her less than she loves him, into the wilderness, and never complains. In fact, she barely speaks at all. The story hardly presents dialogue from Sita (except for 203-05, 231-33, and some of 235-238), yet she is such a righteous character. Rama is righteous and he receives all of the epic’s attention, but Sita doesn’t. She is just, simply, there. When she is mentioned, it’s oftentimes in association with Rama. Is she not her own individual person? Is she not a key role? Plus, it seems odd to me that the story claims Sita as the one interested in the false, golden/silver deer. Sita became infatuated by it, causing Rama to search for it. As the story says, “She had been completely deceived’ (229). Well, Rama was, too. While his searching occurs, Sita is abducted by Ravana (237). She appears virtuous, yet foolish. Did the story intentionally create this impression of her? A passage says, “I have spoken from the foolishness of being a woman” (205). This sounds belittling. I believe she doesn’t receive the respect and recognition she deserves in the narrative nor does she fully respect herself as a woman. The only character thus far to respect her actions besides Anusuya is Agastya (207). Sita does everything for Rama, making her look like a little puppet just living in Rama’s world. Is she not more?

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Bharata

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The character within this story that I honestly find the most interesting at this point is Bharata, and while that may seem rather counter-intuitive(he is a large part of the plot against Rama and has little to no speaking parts, period), I think my background in Christian Scriptures makes the dynamic of this character much more interesting. What I love so much about Bharata and his situation is the fact that he serves as a direct gender reversal of the story of men using their desirable and young women to make political moves that are so prevalent in the Bible. He is given little autonomy in the story, but is portrayed as a desirable, loved man-"Laksmana's younger brother loved Bharata in the same way, and Bharata was dearer to Satrughna than life". As opposed to a King uses his desirable daughter to stir up political trouble, now we have an example of the Queen using her desirable son to do the same-"When Rama is banished, he will lose his place in the hearts of his subjects and Bharata, rid of his rival, will establish himself firmly as king." Bharata is seen as someone who has little to no control over their own destiny, but is directly influenced by the political actions taking place around him. When describing how fortunate Bharata is, there is no description of how he put himself in the situation- "Ah, Bharata is so fortunate! He is happy with his wife by his side, enjoying the pleasures of ruling... He alone enjoys the pleasures, since my father is too old and I am stuck in the forest!"
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