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23SP_MFS310A-WR
Week 5 Readings
Sandy Flitterman-Lewis on Vagabond
23SP_MFS310A-WR-Film and Media Theory
Sandy Flitterman-Lewis on Vagabond
7.0 MB
Click
flitterman-lewis_on_Vagabond.pdf
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◄ Laura Mulvey, "Visual Pleasure and Narrative Cinema"
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Paper 1 Assignment Sheet
Paper 1
Paper 2 Assignment Sheet
Week 2 Film Impressions
Week 3 Film Impressions
Week 4 Film Impressions
Week 5 Film Impressions
Week 6 Film Impressions
Week 7 Film Impressions
Week 8 Film Impressions
Week 9 Film Impressions
Week 10 Film Impressions
Week 11 Film Impressions
Week 12 Film Impressions
Week 2 Lecture Reflection
Week 3 Lecture Reflection
Week 5 Reflection on Readings and Lecture
Weeks 9 and 10 Reading Reflection
Hugo Munsterberg, "Why We Go to the Movies" (1915)
Rudolf Arnheim, “Film and Reality” (1933)
Andre Bazin, "Ontology of the Photographic Image" (1958)
Walter Benjamin, "The Work of Art in the Age of its Technological Reproducibility" (1935-1939)
Stan Brakhage, "Metaphors on Vision" (1963)
Tom Gunning, "The Cinema of Attraction: Early Film, Its Spectator, and the Avant-Garde" (1986)
Sergei Eisenstein, "The Montage of Film Attractions"
Andre Bazin, "The Evolution of the Language of Cinema"
Laura Mulvey, "Visual Pleasure and Narrative Cinema"
Andrew Sarris, "Notes on the Auteur Theory"
David Bordwell, "The Viewer's Activity"
David Bordwell, "The Principles of Narration"
Paul Wells, "Notes Towards a Theory of Animation"
Lev Manovich, "What Is Digital Cinema?"
P. Adams Sitney, "Meshes of the Afternoon"
Teresa Rizzo, "YouTube: The New Cinema of Attractions"
Alexander Doty, "There's Something Queer Here"
William Brown, “Contemporary mainstream cinema is good for you: connections between surrealism and today’s blockbusters”
chapters from Queer Images (Benshoff & Griffin)
Clitha Mason, “Queering The Mammy: New Queer Cinema’s Version of an American Institution in Cheryl Dunye’s The Watermelon Woman”
Paper 1 Assignment Sheet
Andrew Sarris, "Notes on the Auteur Theory" ►